
The craft
Pieces that exist once. Made to your measure, made to your taste, woven for one space in the world — yours.
Baghdad — Sulaymaniyah
Art carpets, bespoke rugs, walls and drapery — designed once, woven once, for one space and one client.
Three hold the line. The fourth bends.
01 · The house
A design house standing between interior architecture, art and craftsmanship — never a carpet store. The client at the centre; the surface drawn around them.

Pieces that exist once. Made to your measure, made to your taste, woven for one space in the world — yours.

The palette is dyed, not picked. Madder root, indigo vats, undyed fleece, basalt stone — colour that comes from somewhere.

Architectural precision and honest materials, held to one measure: the house will not present work below its own standard.
02 · The work
Every line is the same discipline at a different scale — the four strokes carried into floors, walls and cloth. The house name leads; the line name qualifies.

Hand-carved art carpets — woven pictures, numbered and signed. The flagship.
Hand-carved art carpets — woven pictures, numbered and signed. The flagship.

Bespoke rugs and custom fields — villas, majlis, palaces, hotels.
Bespoke rugs and custom fields — villas, majlis, palaces, hotels.

Custom wallpaper and coverings — feature walls and full rooms.
Custom wallpaper and coverings — feature walls and full rooms.

Woven curtains and drapery — the four lines falling in cloth.
Woven curtains and drapery — the four lines falling in cloth.

Full commissions — mosques, hospitality, acoustic surfaces, institutions.
Full commissions — mosques, hospitality, acoustic surfaces, institutions.
03 · Bespoke, three ways

Door one
From 8 weeks
A studio design, woven to order in your size. Lead time stated at order — the fastest door.

Door two
From 12 weeks
A studio design re-drawn for your space — colour, scale, shape, material — approved on a true-scale rendering.

Door three
From 16 weeks
A new design that exists once — the full nine-station journey, a woven strike-off before production, edition 1 of 1.
The refusal right. MURU will not present a rendering or sample that does not meet the client's expectation or the house's own standard. Every door states its lead time in writing; every strike-off is approved by signature.
04 · The record
The numbers are kept the way the geometry is kept — plain, lining, tabular.
0
years of weaving memory behind the mark
1 / 1
every piece, an edition of one
0
stations from first call to the reveal
0
doors, one discipline
Commissions · by year
| 20— | # |
|---|---|
| 2021 | 3 |
| 2022 | 5 |
| 2023 | 4 |
| 2024 | 7 |
| 2025 | 9 |
| 2026 | 12 |
One gold bar — the point of the chart.
05 · The journey
One road from first call to the reveal. Nothing is produced before the signature page is signed.
01
Website, Instagram or referral — answered within one day.
02
The sample kit opens the conversation.
03
The space measured, photographed, listened to.
04
A moodboard in the house photographic language.
05
The pattern at true scale, under the client's name.
06
The thirteen-page presentation; one signature page.
07
Documented in material-world photography.
08
White-glove delivery; the room left finished.
09
Certificate, care card, and the piece's story.
06 · In their words
We stopped drawing the floor. We sent MURU the room's measurements and its light, and the floor answered both.
The strike-off arrived woven, not printed. That is when the committee stopped asking for alternatives.
It is the only object in the majlis made after the architecture — and the only one that looks like it was there first.
Their refusal right is real. They declined our first brief, and they were right to.
«لا تُشبه إلا مكانك»
Like no place but yours.
Bring us the space. We answer within one day.